The Garden of Distances

The Garden of Distances

The Garden of Distances

An Italian painter and an American poet briefly meet once and, liking one another’s work, decide to experiment with the interaction of visual text and verbal text. The Garden of Distances is the result: a marriage of 38 etchings with a book-length multipart interlocking poem. It was not a matter of person responding to person but of work responding to work. The pictures and texts were exchanged by fax, and the whole process carried out from afar between New York City, Annandale-on-Hudson, and Bolzano (Italy), from July to October, 1998. The distances between the artists became emblematic of the distances negotiated in the drawings and in the texts, which are like all the joyful and sorrowful distances between people.

Each time it was the drawing that came first,
then the text tried to answer it.
And to that answer the next drawing
somehow came to speak–
answer on top of answer
till the gardening was done.
Brigitte Mahlknecht’s 38 etchings (two of which are reproduced in color) are finely detailed maps of the unconscious, packed spaces the sizes of dreams, archetypal spoor. Robert Kelly’s poems are songs of enormous beauty, endlessly inventive, reflexive, inviting and open.
This edition of The Garden of Distances is published in the U.S. by special arrangement with Edition Per Procura of Vienna.
Brigitte Mahlknecht was born and raised in Bolzano, Italy, and now lives and works in Vienna and New York.

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Lapis: Poems (A Black Sparrow Book)

Lapis: Poems (A Black Sparrow Book)

Lapis: Poems (A Black Sparrow Book)

Lapis, the philosopher’s stone, is the legendary substance that alchemists use to turn base metals into gold. Robert Kelly’s 50-year pursuit of its poetic equivalent the words that transform the common things of life into art yields the 127 new texts collected here. In these richly varied poems and prose poems some occasioned by reading Dickinson and Yeats, visiting churches and art museums, traveling through Austria, France, Italy, and Ireland, and reliving the wounds of childhood and adolescence Kelly describes personal experience and, by touching it with memory and imagination, makes it stranger than life itself. He is the diarist as dreamer, and the dreamer as alchemist.

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Shame / Scham: A Collaboration (English and German Edition)

Shame / Scham: A Collaboration (English and German Edition)

Shame / Scham: A Collaboration (English and German Edition)

Shame may be the most perdurably uncategorizable and daring book Robert Kelly has yet published during a career containing more than sixty sui generis volumes. It is a purloined correspondence, an investigatory improvisation, an apologia, a psychological expose, a desideratum, a profundity, and jazz. Yet, Shame is a collaboration. When Birgit Kempker — a younger German writer living in Basel, Switzerland — invited Kelly to create a work together, neither knew the other except by reputation. They proceeded to communicate by e-mail for two years through sixteen exchanges, and the subject was to be shame at its most personal, prosaic, intimate, and even sometimes fetching; and shame at its most generic, couched, poetic and hallucinatory. The barrier between them was not merely not knowing one another while risking the limits of naked trust, but of surmounting age, gender, nationality and language. Birgit Kempker wrote in German, and Robert Kelly in English. Shame is a love story. A story of two tongues. Shame is a book spoken between two lovers who will never be lovers, a book of the unabashed and prised apart secret intimacy that can be laid bare against all constraint by ghostly lovers — virtual, exemplary, psychic guides to one another, and all of the rest of us.

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